Political Literature: Difficulties of Censorship

To speak of political literature in a country which has no political liberty, and where nothing can be printed without having been approved by a rigorous censorship, sounds almost like irony. And yet, notwithstanding all the efforts of the Government to prevent the discussion of political matters in the Press, or even in private circles, that discussion goes on, under all possible aspects and under all imaginable pretexts. As a result it would be no exaggeration to say that in the necessarily narrow circle of educated Russian “intellectuals” there is as much knowledge, all round, of matters political as there is in the educated circles of any other European country, and that a certain knowledge of the political life of other nations is wide-spread among the reading portion of Russians.

It is well known that everything that is printed in Russia, even up to the present time, is submitted to censorship, either before it goes to print, or afterwards. To found a review or a paper the editor must offer satisfactory guarantees of not being “too advanced” in his political opinions, otherwise he will not be authorised by the Ministry of the Interior to start the paper or the review and to act in the capacity of its editor. In certain cases a paper or a review, published in one of the two capitals but never in the provinces, may be allowed to appear without passing through the censor’s hands before going to print; but a copy of it must be sent to the censor as soon as the printing begins, and every number may be stopped and prevented from being put into circulation before it has left the printing office, to say nothing of subsequent prosecution. The same condition of things exists for books. Even after the paper or the book has been authorised by the censor it may be subject to a prosecution. The law of 1864 was very definite in stating the conditions under which such prosecution could take place; namely, it had to be made before a regular court, within one month after publication; but this law was never respected by the Government. Books were seized and destroyed — reduced to pulp — without the affair ever being brought before a Court, and I know editors who have been plainly warned that if they insisted upon this being done, they would simply be exiled, by order of the administration, to some remote province. This is not all, moreover. A paper or a review may receive a first, a second, and a third warning, and after the third warning it is suspended, by virtue of that warning. Besides, the Ministry of the Interior may at any time prohibit the sale of the paper in the streets and the shops, or deprive the paper of the right of inserting advertisements.

The arsenal of punishments is thus pretty large; but there is still something else. It is the system of ministerial circulars. Suppose a strike takes place, or some scandalous bribery has been discovered in some branch of the administration. Immediately all papers and reviews receive a circular from the Ministry of the Interior prohibiting them to speak of that strike, or that scandal. Even less important matters will be tabooed in this way. Thus a few years ago an anti-Semitic comedy was put on the stage at St. Petersburg. It was imbued with the worst spirit of national hatred towards the Jews, and the actress who was given the main part in it refused to play, She preferred to break her agreement with the manager rather than to play in that comedy. Another actress was engaged. This became known to the public, and at the first representation a formidable demonstration was made against the actors who had accepted parts in the play, and also against the author. Some eighty arrests — chiefly of students and other young people and of litterateurs — were made from among the audience, and for two days the St. Petersburg papers were full of discussions of the incident; but then came the ministerial circular prohibiting any further reference to the subject, and on the third day there was not a word said about the matter in all the Press of Russia.

Socialism, the social question altogether, and the labour movement are continually tabooed by ministerial circulars — to say nothing of Society and Court scandals, or of the thefts which may be discovered from time to time in the higher administration. At the end of the reign of Alexander II. the theories of Darwin, Spencer, and Buckle were tabooed in the same way, and their works were prevented from being kept by the circulating libraries.

This is what censorship means nowaday. As to what was formerly, a very amusing book could be made of the antics of the different censors, simply by utilising Skabitchévskiy’s History of Censorship. Suffice it to say that when Púshkin, speaking of a lady, wrote: “Your divine features,” or mentioned “her celestial beauty,” the censorship would cross out these verses and write, in red ink on the MS., that such expressions were offensive to divinity and could not be allowed. Verses were mutilated without any regard to the rules of versification; and very often the censor introduced, in a novel, scenes of his own.

Under such conditions political thought had continually to find new channels for its expression. Quite a special language was developed therefore in the reviews and papers for the treatment of forbidden subjects and for expressing ideas which censorship would have found objectionable; and this way of writing was resorted to even in works of art. A few words dropped by a Rúdin, or by a Bazároff in a novel by Turguéneff, conveyed quite a world of ideas. However, other channels besides mere allusion were necessary, and therefore political thought found its expression in various other ways: first of all, in literary and philosophical circles which impressed their stamp on the entire literature of a given epoch; then, in art-criticism, in satire, and in literature published abroad, either in Switzerland or in England.